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02-04-2025 23:59
Hello
I don't understand how the 3rd and 4th bars are played with the left hand in the mysterious piece by Jo Privat.
For the moment I play the bass A# with F#7 chord then C# with F# chord.
I also have a problem on the 7th bar because there is an eighth note rise in the left hand with a triplet in the right hand. Should I do 3 for 2 or am I cheating?
I don't understand how the 3rd and 4th bars are played with the left hand in the mysterious piece by Jo Privat.
For the moment I play the bass A# with F#7 chord then C# with F# chord.
I also have a problem on the 7th bar because there is an eighth note rise in the left hand with a triplet in the right hand. Should I do 3 for 2 or am I cheating?
1
Reply
melody20
17/09/2022
Mozart also did this in some pieces. A piece of advice: don't think about it and it will happen by itself.
Hello dear accordionist friends!
I am currently studying "Fantaisie Musette" a waltz by Jo Privat & André Verchuren. At bars 7 - 15 -26 is indicated an A7# dim. from C# on which chord should I go? I have a 120 bass accordion not equipped with the dim row. Thanks in advance for your help. ♪♫♪
I am currently studying "Fantaisie Musette" a waltz by Jo Privat & André Verchuren. At bars 7 - 15 -26 is indicated an A7# dim. from C# on which chord should I go? I have a 120 bass accordion not equipped with the dim row. Thanks in advance for your help. ♪♫♪
6
Replies
Dragonfly1954
28/03/2022
Hello, if I understand correctly, an A# is a Bb. For the 'dim' tuning, a 120 bass accordion would have 6 columns of buttons and the column furthest from the bellows should be the one of the diminished chords? This last one is '7thdim' without the fifth???
BIETRY
29/03/2022
hello, on accordions that have 3 rows of chords the last row on the outside of the body is in fact a diminished fifth. This allows you to play diminished chords. I won't go into the details of the harmony. So to make a diminished chord you just have to play the 7th chord which are one row down. Example to make a diminished C play the F7. For your request of the diminished A sharp (which is equal to Bb) play a button lower or Eb 7th. Or if it is too far for your score any note of the same vertical rank as the Eb, i.e. C7, Eb7, F sharp7 or A7. My explanation is of course only valid on accordions with 3 rows of chords. If you have any other questions, please do not hesitate to contact me. Jean-Yves Sixt from Switzerland
pinpin
17/04/2022
You can also add a Lab7 to the F7 It sounds even more "diminished".
Enki54
19/04/2022
thank you I will try and see ♪♫♪ regards
jphf51
06/06/2022
A#7dim = Bb7dim or the notes (harmonically) C#-e-G-sib = buttons together of A7 + C7 or A7 + F#7 depending on the sequences you have to do
Enki54
08/06/2022
Thank you so much, have a great day ♪♫♪ ♥
Hello to all, I discovered the site a little more than a year ago, but I had omitted to introduce myself... I started the chromatic accordion a year and a half ago, probably to find the timbre of my first instrument (a harmonica) and to be able to play Amélie's Waltz whenever I want :-).My favorite artists of the moment are- Jean Corti: I love his phrasing and his interpretations which change from bass-tune-tune, bass-tune-tune, bass-tune-...https://www.youtube.com/watch?v=Fkio7Pj3FZU- Marcel Loeffler: when I wonder if I chose the right instrument I watch this video:https://www.youtube.com/watch?v=0ey2Fic4QYU- Raul Barboza, whom I had the chance to meet in Parishttps://www.youtube.com/watch?v=1wFyY1w1bns- Marc Perrone: because diatonic is also goodhttps://www.youtube.com/watch?v=MJmTN1ZQz1s- Jo Privat: for the swing with finessehttps://www.youtube.com/watch?v=33rB-ResrSshttps://www.youtube.com/watch?v=t40stFq5V0o- Ludovic Beier: long live the improvisationhttps://www.youtube.com/watch?v=ypsZFR3GUKU- Serge Desaunay:https://www.youtube.com/watch?v=uYBIvv-SbIshttps://www.youtube.com/watch?v=HK80Gmly7H8- Dan Newton:https://www.youtube.com/watch?v=45rIoAirjTQ- Michel Macias: does anyone know what kind of bass he has on his left hand?https://www.youtube.com/watch?v=6qs68KxYdjE- Daniel Colin: so classy. A very soft play with the thumb, very dancing. https://www.youtube.com/watch?v=HhkPXxiSvFAhttps://www.youtube.com/watch?v=gNJ-go9BA78- Gianluigi Trovesi/Gianni Coscia: because he dares to compose for the accordion.
In any case, thank you for this collection of scores! Olivier
... and I discover them every day.
In any case, thank you for this collection of scores! Olivier
3
Replies
Khali
04/05/2017
Welcome and thanks for these videos....some musicians were totally unknown to me.
What do you mean by what kind of bass?
What do you mean by what kind of bass?
alexandrefred
05/05/2017
Welcome to you Olivier ;-)
for what seeks partitions of jo hubert who was as said jo privat "a laborious of the leaflet" you have the site:http://www.jo-hubert.fr/
0
Reply
Hello,
I put online a superb video of Jo Privat where he talks about the famous rue de Lappe, the cradle of the musette, noting his frankness and his anecdotes of a real Parisian: a delight.
Thanks to Camilla for pointing it out to me and with her permission.
Daniel
I put online a superb video of Jo Privat where he talks about the famous rue de Lappe, the cradle of the musette, noting his frankness and his anecdotes of a real Parisian: a delight.
Thanks to Camilla for pointing it out to me and with her permission.
Daniel
1
Reply
kouros
10/01/2015
Thank you Dan for this recording sometimes a little raw but that one listens with pleasure, one would almost believe in a film of the 30s so much it makes us live this Paris. I really liked the expression "le laborieux du dépliant" and there are many others!
kouros
kouros
HELLO MUSICIAN FRIENDS
Tony Muréna has recorded a lot, especially in his last period when, like many others, he devoted himself to the interpretation of variety songs or fashionable tunes. It was necessary to forget everything that recalled the war and therefore also the music of that period; in short, the swing era was over. We have privileged here this golden age of swing musette: that is to say the years 1939-1947, plus some later titles where Muréna still has beautiful accents. If many of these songs have already been re-released on CD, they were most often scattered on various compilations, most of the time mixed with typical or commercial songs, without any indication of date or personnel, and in these times where one product drives out the other, most of these discs are not available anymore (1). Here is for the first time in 3 CDs, and in chronological order, almost all of Tony Muréna's best tracks, (with precise references and indication of personnel when identified), showing his immense talent. THE BEGINNINGS Born in Italy in 1916, Antonio Muréna did not know his father, who died on the field of honor (fallen on the Chemin des Dames). Like many Italians, he arrived in France with his mother, who remarried in 1923 to a fellow countryman, shortly after the First World War. They settled in Nogent-sur-Marne and then in Joinville. An uncle gave his first accordion to the young Tony, who showed a serious aptitude for music and studied with passion and persistence. The autodidact benefits from the advice of the great Médard Ferrero. At the age of twelve, he already performed at his first balls. Then, launched by his cousin Louis Ferrari (1910-1988), also an accordionist, he started in cabarets and guinguettes. He lost his mother and then his stepfather and found himself alone with his sister and three half-sisters. To make boil the pot he puts the double bites, puts himself in the bandoneon and quickly integrates the best orchestras of tango (Rafael Canaro, Eduardo Bianco...). We are in 1932, Muréna is only 16 years old ! His quintet is sufficiently famous to be part of the replacements of the holder of the Balajo. Having to go on tour, Muréna proposes to Jo Privat to replace him at the Balajo; the latter will remain there 50 years! Muréna plays at La Silhouette, La Boule noire, La Java, Le Pré Catelan, Ciro's... The guitarists Didi Duprat, Lucien Gallopin, one or the other of the Ferré, are then its accompanists. SWING MUSETTE It is in France that the first full-fledged jazz accordion develops. Roger Etlens is said to have been one of the first to play jazz on the accordion, followed by Louis Richardet and Charley Bazin. But these precursors did not record much and it is Viseur who will be the first great jazz accordionist, followed immediately by Muréna. In the absence of the American models, who left for the United States after the declaration of war, the pioneers of the French swing accordion developed a style mixing American jazz, French musette and gypsy swing. Viseur, Muréna, and then Jo Privat, renovated the musette genre in depth by eliminating the accordion's vibrating register, introducing more sophisticated harmonies, and embarking on the adventure of what is called im-provisation. According to Mrs. Muréna's testimony (2), whenever they had a moment, Gus (Viseur) and Tony (Muréna) would play together just for them. We have a glimpse of what this could give, with about ten titles recorded around 1948 by the two companions (Matelo Ferret would be on guitar and the double bass player is not identified). These recordings, not very well known, were released under the name of Accordion's Club (cf. here "?Home Trainer?", the magnificent version of "?Body and Soul?", the super acceleration of tempo on "?On The Sunny Side of The Street?" which swings to death, and "?After You've Gone?) They will also play with the whole team of the Hot Club de France, where Muréna joins in 1941, and meet in boeufs, after the concerts, and more regularly thereafter at the Mirliton, a dance hall that Muréna buys in 1949 on the side of the place Clichy, and where all the accordionists come, at least those who like the beautiful chords. Still according to Mrs Muréna, Django and Tony liked to play together... What a pity that no sound trace has reached us! "... We were in Les Sables d'Olonne when Tony learned that Django had died. Tony collapsed. That's the only time I saw my husband cry..." (3) MURÉNA, VEDETTE DES DISQUES ODÉON In 1939, shortly before the declaration of war, Tony met Emile Prud'homme (who was to become his brother-in-law), who had just recorded for the prestigious Odéon record label. He introduced Tony to the artistic director of the label, Edouard Dory, who was truly enthusiastic about his sparkling playing. On May 11, 1939, two swings are recorded, "?Madam's?" co-composed by Muréna with P. Fontaine and "?all is not lost?", a light swing by Louis Richardet. Jacques Petitsigne is on double bass, Matelo and Sarane on guitars, the latter illustrating himself by two remarkably constructed choruses and of course Tony on accordion, who combines in his phrasing beautiful and elegant. From the beginning of the 1940s, Muréna gave a new dimension to the accordion, surrounding himself with the best jazz musicians of the time: the drummers Georges Marion, Jacques Irsa, Roger Paraboschi, Pierre Fouad, the double bassists Jean Merlin, Jacques Petitsigne, René Larguier or Pascal Groffe, the clarinettists Pierre Gossez, Francis Camus, Lucas, Pierre Delhoumeau or Hubert Rostaing, the pianists Michel Ramos or Boris Sarbek, the guitarists Didi Duprat, René Duchaussoir, Lucien Gallopin... Between 1939 and 1943, Muréna drew largely from the gypsy source and more exactly from the gypsy source, by joining, just like Viseur (and a little later Privat) the talents of the Ferret brothers: Baro, Matelo and Sarane. In 1941, Tony becomes the star of the Odeon records and puts 22 titles in the can that year; the accordionist has perhaps never played so brilliantly. If his style is less fiery, less flamboyant than Viseur's, his touch is more sentimental and airy (cf. "?Le paradis perdu?", a magnificent ballad where Muréna combines finesse and feeling, this beautiful version of "?Yeux noirs?" with a long guitar chorus probably by Sarane, or these nervous swings like "?Le jitterbug?", "?Playmates?", "?Express 113?"or "China Town", an "American" jazz theme that the needs of the French production will rename "Chinatown", the opportunity for Muréna to launch some beautiful rockets), these last titles almost all interpreted with a septet with a very Goodmanian spirit: piano, drums and clarinet (excellent chorus of Pierre Delhoumeau). The accordionist treats the instrument like a real orchestra, taking advantage of all its resources: finesse of play, phrasing of a rare elegance, sense of exposition of a theme, constant inspiration. Stylist as there are few, he is never in the clichés: originality, spirit of creation and freshness are at the appointment. For Marcel Azzola, "?when Tony plays, we forget that it is the accordion, he is an authentic genius? Muréna is also the author of some fabulous compositions such as "Swing promenade", "Pacific" (a kind of blues that starts a bit like Django Reinhardt's "Rythm Futur", with an acceleration of the tempo illuminated by a sparkling guitar chorus, probably due to Baro Ferret, and rockets sent by Tony), "Ciro's", on which his suppleness and relaxed phrasing are marvellous, "Milk Bar", one of his most famous swings."one of his most accomplished swings or "?Pré catelan?", a swing recorded on May 30, 1942, a day when grace was undoubtedly upon him, since he also recorded "?Indifference? and "?Passion?", two masterpieces of great melodic beauty, co-composed with Joseph Colombo, charged with sensitivity and emotion, illuminated by Baro's chorus and which have not ceased to be played and replayed since. Muréna is thus, with Viseur and Privat, the singer of the waltz in minor which, imbued with a certain spleen, imposes itself as the masterpiece of jazz musette. MYSTERY AND GUMDROP !
Tony Muréna has recorded a lot, especially in his last period when, like many others, he devoted himself to the interpretation of variety songs or fashionable tunes. It was necessary to forget everything that recalled the war and therefore also the music of that period; in short, the swing era was over. We have privileged here this golden age of swing musette: that is to say the years 1939-1947, plus some later titles where Muréna still has beautiful accents. If many of these songs have already been re-released on CD, they were most often scattered on various compilations, most of the time mixed with typical or commercial songs, without any indication of date or personnel, and in these times where one product drives out the other, most of these discs are not available anymore (1). Here is for the first time in 3 CDs, and in chronological order, almost all of Tony Muréna's best tracks, (with precise references and indication of personnel when identified), showing his immense talent. THE BEGINNINGS Born in Italy in 1916, Antonio Muréna did not know his father, who died on the field of honor (fallen on the Chemin des Dames). Like many Italians, he arrived in France with his mother, who remarried in 1923 to a fellow countryman, shortly after the First World War. They settled in Nogent-sur-Marne and then in Joinville. An uncle gave his first accordion to the young Tony, who showed a serious aptitude for music and studied with passion and persistence. The autodidact benefits from the advice of the great Médard Ferrero. At the age of twelve, he already performed at his first balls. Then, launched by his cousin Louis Ferrari (1910-1988), also an accordionist, he started in cabarets and guinguettes. He lost his mother and then his stepfather and found himself alone with his sister and three half-sisters. To make boil the pot he puts the double bites, puts himself in the bandoneon and quickly integrates the best orchestras of tango (Rafael Canaro, Eduardo Bianco...). We are in 1932, Muréna is only 16 years old ! His quintet is sufficiently famous to be part of the replacements of the holder of the Balajo. Having to go on tour, Muréna proposes to Jo Privat to replace him at the Balajo; the latter will remain there 50 years! Muréna plays at La Silhouette, La Boule noire, La Java, Le Pré Catelan, Ciro's... The guitarists Didi Duprat, Lucien Gallopin, one or the other of the Ferré, are then its accompanists. SWING MUSETTE It is in France that the first full-fledged jazz accordion develops. Roger Etlens is said to have been one of the first to play jazz on the accordion, followed by Louis Richardet and Charley Bazin. But these precursors did not record much and it is Viseur who will be the first great jazz accordionist, followed immediately by Muréna. In the absence of the American models, who left for the United States after the declaration of war, the pioneers of the French swing accordion developed a style mixing American jazz, French musette and gypsy swing. Viseur, Muréna, and then Jo Privat, renovated the musette genre in depth by eliminating the accordion's vibrating register, introducing more sophisticated harmonies, and embarking on the adventure of what is called im-provisation. According to Mrs. Muréna's testimony (2), whenever they had a moment, Gus (Viseur) and Tony (Muréna) would play together just for them. We have a glimpse of what this could give, with about ten titles recorded around 1948 by the two companions (Matelo Ferret would be on guitar and the double bass player is not identified). These recordings, not very well known, were released under the name of Accordion's Club (cf. here "?Home Trainer?", the magnificent version of "?Body and Soul?", the super acceleration of tempo on "?On The Sunny Side of The Street?" which swings to death, and "?After You've Gone?) They will also play with the whole team of the Hot Club de France, where Muréna joins in 1941, and meet in boeufs, after the concerts, and more regularly thereafter at the Mirliton, a dance hall that Muréna buys in 1949 on the side of the place Clichy, and where all the accordionists come, at least those who like the beautiful chords. Still according to Mrs Muréna, Django and Tony liked to play together... What a pity that no sound trace has reached us! "... We were in Les Sables d'Olonne when Tony learned that Django had died. Tony collapsed. That's the only time I saw my husband cry..." (3) MURÉNA, VEDETTE DES DISQUES ODÉON In 1939, shortly before the declaration of war, Tony met Emile Prud'homme (who was to become his brother-in-law), who had just recorded for the prestigious Odéon record label. He introduced Tony to the artistic director of the label, Edouard Dory, who was truly enthusiastic about his sparkling playing. On May 11, 1939, two swings are recorded, "?Madam's?" co-composed by Muréna with P. Fontaine and "?all is not lost?", a light swing by Louis Richardet. Jacques Petitsigne is on double bass, Matelo and Sarane on guitars, the latter illustrating himself by two remarkably constructed choruses and of course Tony on accordion, who combines in his phrasing beautiful and elegant. From the beginning of the 1940s, Muréna gave a new dimension to the accordion, surrounding himself with the best jazz musicians of the time: the drummers Georges Marion, Jacques Irsa, Roger Paraboschi, Pierre Fouad, the double bassists Jean Merlin, Jacques Petitsigne, René Larguier or Pascal Groffe, the clarinettists Pierre Gossez, Francis Camus, Lucas, Pierre Delhoumeau or Hubert Rostaing, the pianists Michel Ramos or Boris Sarbek, the guitarists Didi Duprat, René Duchaussoir, Lucien Gallopin... Between 1939 and 1943, Muréna drew largely from the gypsy source and more exactly from the gypsy source, by joining, just like Viseur (and a little later Privat) the talents of the Ferret brothers: Baro, Matelo and Sarane. In 1941, Tony becomes the star of the Odeon records and puts 22 titles in the can that year; the accordionist has perhaps never played so brilliantly. If his style is less fiery, less flamboyant than Viseur's, his touch is more sentimental and airy (cf. "?Le paradis perdu?", a magnificent ballad where Muréna combines finesse and feeling, this beautiful version of "?Yeux noirs?" with a long guitar chorus probably by Sarane, or these nervous swings like "?Le jitterbug?", "?Playmates?", "?Express 113?"or "China Town", an "American" jazz theme that the needs of the French production will rename "Chinatown", the opportunity for Muréna to launch some beautiful rockets), these last titles almost all interpreted with a septet with a very Goodmanian spirit: piano, drums and clarinet (excellent chorus of Pierre Delhoumeau). The accordionist treats the instrument like a real orchestra, taking advantage of all its resources: finesse of play, phrasing of a rare elegance, sense of exposition of a theme, constant inspiration. Stylist as there are few, he is never in the clichés: originality, spirit of creation and freshness are at the appointment. For Marcel Azzola, "?when Tony plays, we forget that it is the accordion, he is an authentic genius? Muréna is also the author of some fabulous compositions such as "Swing promenade", "Pacific" (a kind of blues that starts a bit like Django Reinhardt's "Rythm Futur", with an acceleration of the tempo illuminated by a sparkling guitar chorus, probably due to Baro Ferret, and rockets sent by Tony), "Ciro's", on which his suppleness and relaxed phrasing are marvellous, "Milk Bar", one of his most famous swings."one of his most accomplished swings or "?Pré catelan?", a swing recorded on May 30, 1942, a day when grace was undoubtedly upon him, since he also recorded "?Indifference? and "?Passion?", two masterpieces of great melodic beauty, co-composed with Joseph Colombo, charged with sensitivity and emotion, illuminated by Baro's chorus and which have not ceased to be played and replayed since. Muréna is thus, with Viseur and Privat, the singer of the waltz in minor which, imbued with a certain spleen, imposes itself as the masterpiece of jazz musette. MYSTERY AND GUMDROP !
0
Reply
pontiac
24/06/2013
Hi Dan,
it is on the site heading Jo Privat has page 6, the title "Dia Chroma".
http://www.partitions-accordeon.com/partitions/categorie=all/artiste=Jo%20Privat/s=Rechercher/page=5
Very good choice!
Friendly
it is on the site heading Jo Privat has page 6, the title "Dia Chroma".
http://www.partitions-accordeon.com/partitions/categorie=all/artiste=Jo%20Privat/s=Rechercher/page=5
Very good choice!
Friendly
dan95
24/06/2013
Hello Pontiac,
Unfortunately it's not this one, I also confused them because they look the same.
Thank you for your involvement.
Good day to you.
Dan
Unfortunately it's not this one, I also confused them because they look the same.
Thank you for your involvement.
Good day to you.
Dan
pontiac
24/06/2013
Sorry Dan,
there is a little resemblance with the niglo waltz too. I hope that a member has this score, I will be a customer too.
Very good Jo Privat
Friendly
there is a little resemblance with the niglo waltz too. I hope that a member has this score, I will be a customer too.
Very good Jo Privat
Friendly
dan95
24/06/2013
Thanks to cindou for his research, the vise is tightening.
n n n n n n n n n n n n n n n n n n n n n
n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n Composer : GEORGES PRI
n n n n n Publisher : INTER LOISIRS DISC
n n n n n n n n ISWC : T-003.344.035.5
n n n n n n n n n n n n n n n n n n n n n
n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n Composer : GEORGES PRI
n n n n n Publisher : INTER LOISIRS DISC
n n n n n n n n ISWC : T-003.344.035.5
pontiac
24/06/2013
Hello cindou and thanks for the title.
Sacre Jo, there must be still some nice tunes like this one that are hard to find.
The song is not too hard so keep your ears open...
Thanks to both of you,
friendly
Sacre Jo, there must be still some nice tunes like this one that are hard to find.
The song is not too hard so keep your ears open...
Thanks to both of you,
friendly
Unknown
27/03/2013
hello frerikthe report on the history and the origin of the musette is interesting and is very practical to explain to the youngest why so many people are sensitive to this style of music (too bad the images are too often blurred)the accordion is a young and complete instrument, it gives the desire to move and touches the feelings in all styles of music! thank you for the videoGerminon
Hello to all, Here is where our scores go, I don't have a certain one but I am convinced because I had transcripts made by my hand and not found like some of us.
http://www.caverne-partitions.com/t107294-liste-accordeon-par-compositeur-astier-azzola-baselli-viseur-galliano-privat-horner-lassagne-corchia
http://www.caverne-partitions.com/t107294-liste-accordeon-par-compositeur-astier-azzola-baselli-viseur-galliano-privat-horner-lassagne-corchia
0
Reply
Hello to all
I am writing to let you know that I have put the scores of Mr. François OBERTI online
Attached are the links
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Tangober
You will see in him an outstanding accordionist who has composed all kinds of scores in the right line of Jo privat GUS vise......
GO DOWNLOAD HIS RECIPES and COME TALK TO ME
Sébastien
I am writing to let you know that I have put the scores of Mr. François OBERTI online
Attached are the links
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Tangober
You will see in him an outstanding accordionist who has composed all kinds of scores in the right line of Jo privat GUS vise......
GO DOWNLOAD HIS RECIPES and COME TALK TO ME
Sébastien
50
Replies
dan95
15/02/2013
Hello SBASOS?
Indeed this composer that I don't know at all blew me away.
Why is he so unknown?
His style is close to the named accordionists without the gypsy side of Privat.
Nevertheless it is a discovery for me and thank you for having made it known to us.
Daniel
Indeed this composer that I don't know at all blew me away.
Why is he so unknown?
His style is close to the named accordionists without the gypsy side of Privat.
Nevertheless it is a discovery for me and thank you for having made it known to us.
Daniel
SBASOS
15/02/2013
Hello
Mr Oberti is an accordionist of the valley of the fench (joeuf in meurthe et moselle°. he is 88 years old today and continues to compose.
Here is the site where he still plays the instrument with passion at the 1st desk of the accordion club.
http://www.accordeon-club-lorrain.com/
I advise you OBERTANGO,MUSICALINE,LA BALANCE......
Sincerely
Mr Oberti is an accordionist of the valley of the fench (joeuf in meurthe et moselle°. he is 88 years old today and continues to compose.
Here is the site where he still plays the instrument with passion at the 1st desk of the accordion club.
http://www.accordeon-club-lorrain.com/
I advise you OBERTANGO,MUSICALINE,LA BALANCE......
Sincerely
SBASOS
17/02/2013
Hello to all
I see with pleasure that a lot of people are downloading Mr. OBERTI's recipes.
Wishing you all courage and good work because nothing is simple in what he has composed.
Waiting to see some comments.
I wish you all to take a lot of pleasure in interpreting the pieces of an outstanding tuner.
Sébastien
I see with pleasure that a lot of people are downloading Mr. OBERTI's recipes.
Wishing you all courage and good work because nothing is simple in what he has composed.
Waiting to see some comments.
I wish you all to take a lot of pleasure in interpreting the pieces of an outstanding tuner.
Sébastien
SBASOS
20/11/2015
Hello to all
I'm coming back to you after a long absence. I saw that the receptions of my friend François Oberti have been loaded many times. I had only one return. Could you tell me for those who have these pieces what he thinks?
I would like to send him your impressions today, he is 92 years old and continues to write.
Sébastien
I'm coming back to you after a long absence. I saw that the receptions of my friend François Oberti have been loaded many times. I had only one return. Could you tell me for those who have these pieces what he thinks?
I would like to send him your impressions today, he is 92 years old and continues to write.
Sébastien
robinson 82
20/11/2015
Hello:
I find that these repositories deserve a feedback from us:
I have not downloaded but I have seen some of these scores which seem to me very good. especially for the one who wants to work or to make students work!
congratulations to this gentleman and thank you for making him known to us.
Robinson
I find that these repositories deserve a feedback from us:
I have not downloaded but I have seen some of these scores which seem to me very good. especially for the one who wants to work or to make students work!
congratulations to this gentleman and thank you for making him known to us.
Robinson
Unknown
20/11/2015
good evening Sbasos. I have just discovered his works, that you were kind enough to share with us. For my part, I ask for more, what a touch!!! it's pure juice. A lot of work in perspective, but to decipher with the accordion, how to get tired of it. I'm simply seduced, I'm going to the site you mentioned above, to arouse my curiosity. S is a very great man!! his compositions, ask a lot of knowledge in the matter, and gives us desire to follow this example. At 92 years old, continue his work !!!!! what a passion! and what courage. Thank you Mr. Oberti; your music imposes from our part, a lot of admirations. It is there; Sbasos; a sharing of which I am very grateful. That's why the opinions shared here, speak volumes as connoisseurs .........
sylvergo
21/11/2015
Hello, simply very beautiful with a lot of sensitivity as I like. A big thank youMusicfullySylvie
dan95
21/11/2015
Hello Sebastien,
For my part I have taken out 2 or 3 pieces of his collections...among the less difficult...I also confirm the opinion of the colleagues.
Can you tell us if he had a passion for teaching and would have "released" some little prodigy(s)?
Personally I had a very famous teacher in my last year (by his interpretations) but he was not necessarily the best.
Daniel
For my part I have taken out 2 or 3 pieces of his collections...among the less difficult...I also confirm the opinion of the colleagues.
Can you tell us if he had a passion for teaching and would have "released" some little prodigy(s)?
Personally I had a very famous teacher in my last year (by his interpretations) but he was not necessarily the best.
Daniel
robinson 82
21/11/2015
Hello:
Well, that's it! All you had to do was to stir up the returns a bit! keep it up... thanks for them...
Robinson
Well, that's it! All you had to do was to stir up the returns a bit! keep it up... thanks for them...
Robinson
SBASOS
21/11/2015
Hello to all
I thank you for all these words which I will hurry to show him.
I know a lot of tuners but only a few of them have tried to learn and interpret the pieces written by Mr. OBERTI. I think that some of you have understood the reason.
And I only found this site which allowed me to make the diffusion of it.
It is so much for you all to discover and learn the works of a friend who has given me and continues to give me pleasure .......
MusicallySebastien
I thank you for all these words which I will hurry to show him.
I know a lot of tuners but only a few of them have tried to learn and interpret the pieces written by Mr. OBERTI. I think that some of you have understood the reason.
And I only found this site which allowed me to make the diffusion of it.
It is so much for you all to discover and learn the works of a friend who has given me and continues to give me pleasure .......
MusicallySebastien
titave
21/11/2015
Hello,
Indeed, these are very interesting collections. Thank you Mr. Oberti. Titave.
Indeed, these are very interesting collections. Thank you Mr. Oberti. Titave.
SBASOS
22/11/2015
Hello Robinson
Mr. OBERTI taught for a while but none of his students were able to make a living from music.
Mr. OBERTI was a musician in different orchestras in the region during the golden age but it was never his job. he worked in a metallurgical factory in Joeuf. i let you look for where this city is located lol
Our region was in the 60s a huge breeding ground for accordionists, the most famous was Pierre PARACHINI
I have some pieces played by Mr. OBERTI how to put them on the site
Sebastien
Mr. OBERTI taught for a while but none of his students were able to make a living from music.
Mr. OBERTI was a musician in different orchestras in the region during the golden age but it was never his job. he worked in a metallurgical factory in Joeuf. i let you look for where this city is located lol
Our region was in the 60s a huge breeding ground for accordionists, the most famous was Pierre PARACHINI
I have some pieces played by Mr. OBERTI how to put them on the site
Sebastien
SBASOS
22/11/2015
Good evening
I don't understand what I mean by MP3 format
Sebastien
I don't understand what I mean by MP3 format
Sebastien
SBASOS
23/11/2015
Hello to all
I am pleased to see that many of you have come to see the FORUM François Oberti
I also noticed with pleasure that you were nearly 800 to have downloaded the collections
For those who did not get them, go there you will not be disappointed.
Thanks to all of you
I will hear from you and tell me what you think, which score inspired you the most.
See you soonSebastien
I am pleased to see that many of you have come to see the FORUM François Oberti
I also noticed with pleasure that you were nearly 800 to have downloaded the collections
For those who did not get them, go there you will not be disappointed.
Thanks to all of you
I will hear from you and tell me what you think, which score inspired you the most.
See you soonSebastien
SBASOS
24/11/2015
Hello
No, these are amateur recordings of Mr. Oberti so that you can benefit from what he has written
Sebastien
No, these are amateur recordings of Mr. Oberti so that you can benefit from what he has written
Sebastien
SBASOS
24/11/2015
Hello to all
I have just put online a music of Mr Oberti. Good listening and see you soon
Sebastien
I have just put online a music of Mr Oberti. Good listening and see you soon
Sebastien
SBASOS
25/11/2015
Good evening to all
I have put online a new piece. I leave you free to go listen to it.
Title of the piece Dussoline I like but each is taste.
To you to say to me Good listening
I have put online a new piece. I leave you free to go listen to it.
Title of the piece Dussoline I like but each is taste.
To you to say to me Good listening
SBASOS
28/11/2015
Hello to all
I notice that we have a lot of P.A users but few express themselves.
This shows in part that most people are consumers of scores .
You should encourage the site and not just be simple score loaders.
Sincerely Sebastien
I notice that we have a lot of P.A users but few express themselves.
This shows in part that most people are consumers of scores .
You should encourage the site and not just be simple score loaders.
Sincerely Sebastien
robinson 82
28/11/2015
Hello sbasos:
I for one listened to the track you dropped off.
I agree with you that there are many members who are there to get scores or to make deposits and it takes some!
Personally I prefer to follow the news of the site and it sometimes happens to me to request a score but I always look if I would not have to satisfy the new requests
good weekend Robinson
I for one listened to the track you dropped off.
I agree with you that there are many members who are there to get scores or to make deposits and it takes some!
Personally I prefer to follow the news of the site and it sometimes happens to me to request a score but I always look if I would not have to satisfy the new requests
good weekend Robinson
SBASOS
28/11/2015
Good evening Robinson
I wrote this to get the ball rolling a bit.
The message calls for the message.
Thank you. See you soon Sebastien
I wrote this to get the ball rolling a bit.
The message calls for the message.
Thank you. See you soon Sebastien
SBASOS
29/11/2015
Hello to all
I have just put online a new extract of my friend François Oberti, the title is a piece dedicated to his little daughter Valentine.
I think that for most of you you have seen on a TV channel criticized on Sunday around 1 pm.
It's up to you to tell me which channel.
Good listening to you soon
Sebastien
I have just put online a new extract of my friend François Oberti, the title is a piece dedicated to his little daughter Valentine.
I think that for most of you you have seen on a TV channel criticized on Sunday around 1 pm.
It's up to you to tell me which channel.
Good listening to you soon
Sebastien
SBASOS
29/11/2015
Hello again
I come back to you if you are connected on P.A. Listen to the music written for her and go on the channel cripté Valentine is present.
See you soon Sebastien
I come back to you if you are connected on P.A. Listen to the music written for her and go on the channel cripté Valentine is present.
See you soon Sebastien
SBASOS
02/12/2015
Hello to all After having put music and scores on the site for over a week.
We can see that the loading of scores is inversely proportional to the listening.
Take 5 mn and go to listen to the 3 pieces of Mr Oberti that I put on line and finally express you.
This site is here to help you discover music.
See you soon
We can see that the loading of scores is inversely proportional to the listening.
Take 5 mn and go to listen to the 3 pieces of Mr Oberti that I put on line and finally express you.
This site is here to help you discover music.
See you soon
SBASOS
04/01/2016
Hello to all
Happy New Year 2016
I relaunch all of you concerning the pieces of Mr Oberti as well as the MP 3 files that I have put online.
Very few comments concerning the works of Mr Oberti, but where are you?
It is never too late to express yourself.
See you soonSebastien
Happy New Year 2016
I relaunch all of you concerning the pieces of Mr Oberti as well as the MP 3 files that I have put online.
Very few comments concerning the works of Mr Oberti, but where are you?
It is never too late to express yourself.
See you soonSebastien
SBASOS
09/01/2016
Hello to All rn rnI have just put on line the last composition of Mr OBERTI.rn rnYou have to work and tell me what you think of it.rn rnThis piece is dedicated to his granddaughter who is in Japan.rn rnCourage and see you soonrn rnSébastien
SBASOS
26/01/2016
Hello to all
I'm starting the machine again, it's the only way to make everyone want to play.
Go and load the scores of Mr Oberti and go and listen to his works that I have put online.
And finally express yourself in order to make my voice heard.
Thank you all and see you soon Sebastien
I'm starting the machine again, it's the only way to make everyone want to play.
Go and load the scores of Mr Oberti and go and listen to his works that I have put online.
And finally express yourself in order to make my voice heard.
Thank you all and see you soon Sebastien
Unknown
28/01/2016
Hello Sbasos . I had promised myself not to come to this forum anymore; only in espionite. Everything I wrote in terms of communication, you had to read it and understand my distress in front of the silence. You can see that it is the same for you. Above I told you that I was conquered by this virtuoso, and I intend to listen to this great man, who without question is part of our fathers (a model to follow). After listening I will give you my impressions; moreover by Mp because I have advice to ask you. See you my friend, I will not leave you alone, because my education is not to be done anymore ............
Unknown
28/01/2016
What to say ?????? if not Chapeau bas Mister Oberti. A great, great master of the accordion; we speak of Astier / Baselli; Gus Viseur; Larcange etc., while here I remain speechless. Valse à Valentine is of a very great virtuosity, an exceptional composition, worthy of the greatest; for Dussoline I like very much the trio with variations. Nostalgie, is simply magnificent !!!!!!!!! a real painting, or the canvas could have been entitled "Old Paris", is what I felt. I will never thank you enough for this sharing; without question the most beautiful of this site. Is it possible to have cds of MR Oberti ????
SBASOS
28/01/2016
Hello Mr Oberti has recorded only one Cd at home of which I released the 3 moceaux that I put on the site Here after having written more than a hundred pieces for his personal pleasure never sought to entegistrer them and did not feel the need.A bientôt Seb
SBASOS
28/01/2016
Good evening to all
For the pleasure I put you a new extract of the Cd of Mr Oberti. you will be able to listen to the accordion on another register. Mr Oberti knew how to write differently the music for this instrument.
Good listening and appreciate its right value this music.
See you soon Sebastien
For the pleasure I put you a new extract of the Cd of Mr Oberti. you will be able to listen to the accordion on another register. Mr Oberti knew how to write differently the music for this instrument.
Good listening and appreciate its right value this music.
See you soon Sebastien
SBASOS
23/02/2016
Hello to all
I relaunch my small forum of discussion on my friend François Oberti.
I notice with a lot of regret that almost or rather almost nobody expresses himself on the scores as well as the musics which I put on line.
But where are you all?
For once when you can express yourselves, you do not do it.
I come to the conclusion that this site is only used to download scores.
Start to play your scores you will not have enough of a life to play the one you have.
Sincerely
I relaunch my small forum of discussion on my friend François Oberti.
I notice with a lot of regret that almost or rather almost nobody expresses himself on the scores as well as the musics which I put on line.
But where are you all?
For once when you can express yourselves, you do not do it.
I come to the conclusion that this site is only used to download scores.
Start to play your scores you will not have enough of a life to play the one you have.
Sincerely
slade
05/03/2016
The discussion has been cleared of messages unrelated to the original topic. An appropriate topic will be created.
musette27
09/03/2016
Good evening Sebastien, thank you for making us discover Mr. OBERTI; for my part, I never heard of him in spite of my many years of practice of the accordion. I thank you for transmitting to him all my congratulations for his musical writing and all my respectful gratitude to defend this beautiful instrument which is the accordion.My thanks also go to DAN95 to have deposited a pretty waltz entitled RÊVERIE written by this great gentleman; I had fun to interpret it; a delight! On which site did you post the video of which you mention above? Well musically and very confraternally to all the musicians without forgetting all those and all those which deposit and which work for the good functioning of our site.Musette27
SBASOS
13/03/2016
Hello to all
Dan deposited a piece of Mr Oberti but how did he do it? I have the answer he got it in the collection so he has no paternity on the subject.
I just put online a new interpretation of Mr Oberti but it is a piece known Indifference.
Good listening to all.
I let you judge the improvisation part.
Dan deposited a piece of Mr Oberti but how did he do it? I have the answer he got it in the collection so he has no paternity on the subject.
I just put online a new interpretation of Mr Oberti but it is a piece known Indifference.
Good listening to all.
I let you judge the improvisation part.
SBASOS
04/04/2016
Good evening
I come back to you to restart the discussion.
My previous message with the posting of a piece performed by Mr Oberti goes back to April 13.
Do you know how many times it was listened by the people of the site knowing that there are more than 1200 Premium subscribers and I do not know how many registered 10000 maybe?
Well the figure is 54 times for more than 25 days of online or 2 listenings per day.
I leave it to you all to make an analysis.
Have a nice evening
I come back to you to restart the discussion.
My previous message with the posting of a piece performed by Mr Oberti goes back to April 13.
Do you know how many times it was listened by the people of the site knowing that there are more than 1200 Premium subscribers and I do not know how many registered 10000 maybe?
Well the figure is 54 times for more than 25 days of online or 2 listenings per day.
I leave it to you all to make an analysis.
Have a nice evening
slade
06/04/2016
The music part is currently poorly done and not very visited. That's why I'm trying to make it a more important element in the next version of the website.
SBASOS
22/05/2016
Good evening to all
I come to put on line a piece interpreted by Mr ObertiLa migiavacaGood listening and make as usual leave your comments
THANKS TO ALL
I come to put on line a piece interpreted by Mr ObertiLa migiavacaGood listening and make as usual leave your comments
THANKS TO ALL
titave
23/05/2016
Hello,
Very nice interpretation of the migliavacca. Thank you.
Very nice interpretation of the migliavacca. Thank you.
SBASOS
30/07/2016
Hello to all
I'm back to tell you that I put online two musics of Mr Oberti but only one piece MUICALINE of which one interpreted by Mr Oberti and the other one by two big stars of the accordion Mr Samuel Garcia and Mr Frederic Langlais.
I let you appreciate them.
See you soon
Do not forget to leave your comments.
All the scores of Mr Oberti are on the site in Download.
I'm back to tell you that I put online two musics of Mr Oberti but only one piece MUICALINE of which one interpreted by Mr Oberti and the other one by two big stars of the accordion Mr Samuel Garcia and Mr Frederic Langlais.
I let you appreciate them.
See you soon
Do not forget to leave your comments.
All the scores of Mr Oberti are on the site in Download.
SBASOS
06/09/2016
Good evening to all
I relaunch as usual the forum
I thank all those who took the trouble to listen to it and also those who left a comment
Mr. Oberti is now 92 years old and continues to compose.
Attached is the site where he played with passion the instrument at the 1st desk of the accordion club,
http://www.accordeon-club-lorrain.com/
I advise you OBERTANGO,MUSICALINE,LA BALANCE...... and many other pieces.
Write to him thanks to all
Sincerely
jodi
09/09/2016
Hello,
These are very nice intréprétaions and pleasant to listen.
Jodi
These are very nice intréprétaions and pleasant to listen.
Jodi
SBASOS
17/09/2016
Hello to all
I have just put on P.A. an arrangement of François Oberti of the work of Tony Murena PASSION, mythical piece that all accordionists to one day play.
In 2 days more than 175 Loading that proves the interned that you have.
Continue to do it and all to your accordion for a pure moment of work and pleasure.
Good music to all
Sébastien
I have just put on P.A. an arrangement of François Oberti of the work of Tony Murena PASSION, mythical piece that all accordionists to one day play.
In 2 days more than 175 Loading that proves the interned that you have.
Continue to do it and all to your accordion for a pure moment of work and pleasure.
Good music to all
Sébastien
Enki54
19/09/2016
Good evening,
I discover the compositions of Mr. F. Oberti with great pleasure, especially since the site partions-accordeon.com has just made available two collections of his compositions!
I have just downloaded "Musicaline" ! A beautiful flavor, soft harmonies, modern. I compare him to Claude Thomain. But I have not yet explored all his compositions;
Yes, isn't he also known among accordionists! But with the time, internet it will come inevitably.
Thank you for making him known to us and I wish him to continue as long as possible in spite of his age: music replaces all medicines!
Hats off to him for his variations on Indifference : to be listened to again and again with happiness !
It will be a pleasure to follow you,
I discover the compositions of Mr. F. Oberti with great pleasure, especially since the site partions-accordeon.com has just made available two collections of his compositions!
I have just downloaded "Musicaline" ! A beautiful flavor, soft harmonies, modern. I compare him to Claude Thomain. But I have not yet explored all his compositions;
Yes, isn't he also known among accordionists! But with the time, internet it will come inevitably.
Thank you for making him known to us and I wish him to continue as long as possible in spite of his age: music replaces all medicines!
Hats off to him for his variations on Indifference : to be listened to again and again with happiness !
It will be a pleasure to follow you,
SBASOS
21/09/2016
Hello
Thank you for this message that will really please him.
I invite you all to go and listen to the pieces and to take hold of the works of Mr. Oberti
Good work and courage then it will be only happiness.
Sébastien
Thank you for this message that will really please him.
I invite you all to go and listen to the pieces and to take hold of the works of Mr. Oberti
Good work and courage then it will be only happiness.
Sébastien
SBASOS
04/10/2017
Hello to all
I come back to you to relaunch you about the works of Mr Oberti. Do not hesitate to download these compositions on the site as well as to go to listen to what is regulation the accordion.Thomaln, Jo Privât, Jean. Corti Galliano, Colombo, Azzola...
And not what we can hear on the radios .... Verchu and the others which are the references of what did not know to follow the evolution of the accordion.
MusicallySébastien
I come back to you to relaunch you about the works of Mr Oberti. Do not hesitate to download these compositions on the site as well as to go to listen to what is regulation the accordion.Thomaln, Jo Privât, Jean. Corti Galliano, Colombo, Azzola...
And not what we can hear on the radios .... Verchu and the others which are the references of what did not know to follow the evolution of the accordion.
MusicallySébastien
theo
06/10/2017
Hello to all of you
Sebastien
Who are you to judge the playing of all these accordionists who animate our dances?
Amicably
Theo
Sebastien
Who are you to judge the playing of all these accordionists who animate our dances?
Amicably
Theo
SBASOS
10/04/2019
Hello to all
After an absence of nearly 3 years I have just put online some scores of François OBERTI.
Do not hesitate to download them and to return on the oldest that I had put on line.
Recover his collection will be only of happiness for you accordionist who liked the style Jo PRIVAT.because that resembles it but that does not have it it is of François OBERTI
Today, at the age of 95, he no longer plays the accordion but he continues to write.
I leave you the care to make some comments there
See you soon
Sébastien
After an absence of nearly 3 years I have just put online some scores of François OBERTI.
Do not hesitate to download them and to return on the oldest that I had put on line.
Recover his collection will be only of happiness for you accordionist who liked the style Jo PRIVAT.because that resembles it but that does not have it it is of François OBERTI
Today, at the age of 95, he no longer plays the accordion but he continues to write.
I leave you the care to make some comments there
See you soon
Sébastien
SBASOS
10/04/2019
I had forgotten that we could put the link
Attached is the link to the collection
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Recueil+%3A+70+Compositions+Musicales+pour+accord%C3%A9on+%2870+Original+scores+for+accordion%29+%28Partie+2+%3A+Autres+Styles%29
Good reception to all
Sébastien
Attached is the link to the collection
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Recueil+%3A+70+Compositions+Musicales+pour+accord%C3%A9on+%2870+Original+scores+for+accordion%29+%28Partie+2+%3A+Autres+Styles%29
Good reception to all
Sébastien
SBASOS
26/04/2019
Hello
I have just put on line the last composition of Mr Oberti The lullaby of PIA This piece is dedicated to his great granddaughter who was born this week. Think of loading his pieces which are of great originality in the line of the great accordionist that we know ....
See you soon
I have just put on line the last composition of Mr Oberti The lullaby of PIA This piece is dedicated to his great granddaughter who was born this week. Think of loading his pieces which are of great originality in the line of the great accordionist that we know ....
See you soon
SBASOS
24/05/2019
Hello
Attached is the link to the score I just put online
A tango that will give you a hard time
Good luck
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Tangober
Attached is the link to the score I just put online
A tango that will give you a hard time
Good luck
https://www.partitions-accordeon.com/partitions/categorie=all/artiste=all/s=Tangober
