Hi, left hand 5th row = 7th major, minor or dominant chord?
6th row = chord of ? diminished ?
Sorry but I am a beginner in music theory!
14
Replies
droopy
05/04/2012
hello michass
the 5th row is 7th
the 6th row is decreasing
the 4th is minor
the 3rd magician
the 2nd bass fundamental
the 1 fundamental third
here is
good music
michass
05/04/2012
Thank you for the answer.
But I don't know what chord of 7 it is, on the diagram of the left hand basses in the method "premiere méthode d'accordeon" of Astier and Baselli it is indicated for the chord of 7th thus 5th row in C for example: E-G-B (no C?) so I would deduce that it is a dominant 7th chord?
What is the 6th row?
droopy
05/04/2012
the 6th grade has decreased
michass
05/04/2012
Is it a diminished 7th chord? with diminished fifth and diminished 7th?
Unknown
05/04/2012
Hello
I put the left hand keyboard online
michass
05/04/2012
Thanks, I'll go and check it out straight away
michass
05/04/2012
It's good from the 7th of dominant but I still miss the 4th row of agreement
robinson 82
05/04/2012
Good evening to all:
Mitchass, is it a piano keyboard accordion that you use or a button accordion?
because often on piano key accordions the last row is used for diminished 7ths (not always in one case as in the other!)
I had the case by trying some accordions and for me it is a little confusing, I prefer by far the keyboard similar to the model that Les Normand has filed on the site.
Musically Robinson 82
michass
05/04/2012
It is a honher verdi with keyboard and 6 rows of basses (120 basses)
2 basses, major, minor, 7th and thus diminished 7th according to you and my "ear".
I have my answer thank you
I've been practicing for 2 months, I admit that I haven't had the use of the diminished 7th yet but I wanted to know, especially since I would like to play "django" one day with all its "bizzaroides" chords.
For the moment I'm working on easy classics like le petit vin blanc, minor swing, bella ciao, le danube etc...
I come from the guitar and I read rhythms very well but because of those damn tablatures I never mastered the rules of harmony.
I'll work on that
Anyway, thanks to all the community for the various scores proposed, it's great
As soon as I can I contribute, I come from flamenco if someone wants some partoche I have tons!
accordeonia
06/04/2012
Good evening to all,
I can also put online a table of all the compound (composable) left-hand chords...
The title will be Chords for left hand.
Have a nice evening,
Michelle
michass
06/04/2012
Thanks accordeonia, it looks very interesting but can you give me the instructions of the table? I looked at it quickly but I didn't understand everything, sorry!
jphf51
06/04/2012
Good evening Michass,
A lot of confusion and mix up in all this, it must be said that there were several versions of left hand keyboard
in your case and for almost all the 120 basses it's easier to explain you from the bass C (the one of the 3rd row starting from the bellows)
1° row 2° row 3° row4th row 5th row 6th row
Bass E B Bass E Bass Cchord C Maj C min C 7° (see below)
( C-E-G) (C-EB-G) (E-G-B)
or Cor C m C7 but without tonic
In fact in accordion the term of 7° is used falsely to qualify the chords of the last row in fact this chord is ALWAYS without the tonic in order to be able, (you will learn it later (because it is a little more technical)), to combine 2 chord buttons to create new chords: so by playing at the same time your D07 chord (E-G-B) with A7 (C#-E-G) you recognize the C7 dim chord (C7dim) that you play without any problem on your "scraper
Another example by combining your C chord (major) with your A minor chord you get the fabulous C 6° chord (C6 = C-E-G-L) that you will enjoy doing for your jazzy harmonies.
Last thing that is fabulous with the left hand keyboard
jphf51
06/04/2012
RE-BONSOIR, A thousand apologies I sent before I finished:
I was saying that you just have to duplicate each chord scheme ^for any key and it works (always the same fingering, and same combination),
Did you also notice that the keyboard is sorted in the order of the keys example C above G (tone with 1#) above D (tone with 2#) then A.... E...B- F# ..Etc AND going down from C it is gone for the tonalities with 1 then 2 then 3 flat etc
FA - SIb - MIb - LA b etc......
You see the accordion is fantastic !!!!!!
Have fun with your toy,
Sincerely and musically yours
Djipy
michass
06/04/2012
Cool answer, I can't wait to dive in, but my 120 bass honher only has 2 rows of bass and 4 of tuning, it doesn't change your great explanations but I wanted to clarify it.
So what is this last row?
Can we move a 6th fingering for example ?
These fingerings are then "moveable" like on a guitar neck, if so that's great!
Finally, the left hand is easy to understand, I don't talk about the harmony, the braille reading side and the button jumps etc...
