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Le Chiffon Rouge: a hymn to revolt and hope
In 1977, against a backdrop of social mobilization and the quest for justice, a song was born and established itself as a cry from the heart for all those who dream of a better world: Le Chiffon Rouge. Written by Maurice Vidalin and sung by Michel Fugain, it was born in Le Havre, during the June in the Street program, Youth Month.
From the outset, Le Chiffon Rouge has stood out for the power of its message. More than just a song, it has become an anthem of social struggle, a symbol of solidarity and resistance. Its vibrant refrain - "Hang on your heart a piece of red rag, a flower the color of blood..." - perfectly illustrates its call for commitment.
In the 1980s, the song accompanied workers' and trade union struggles, notably when it was chosen as the theme tune for the Lorraine radio station Cœur d'Acier, a free and committed voice of the working class. Its success went far beyond the musical sphere, and left a deep mark on our collective memory.
Even today, Le Chiffon Rouge resonates strongly, reminding us that every generation has its own struggle to wage, its own hopes to hold high. Through this musical score, it continues to inspire those who believe in a fairer future and in the power of the collective.
In 1977, against a backdrop of social mobilization and the quest for justice, a song was born and established itself as a cry from the heart for all those who dream of a better world: Le Chiffon Rouge. Written by Maurice Vidalin and sung by Michel Fugain, it was born in Le Havre, during the June in the Street program, Youth Month.
From the outset, Le Chiffon Rouge has stood out for the power of its message. More than just a song, it has become an anthem of social struggle, a symbol of solidarity and resistance. Its vibrant refrain - "Hang on your heart a piece of red rag, a flower the color of blood..." - perfectly illustrates its call for commitment.
In the 1980s, the song accompanied workers' and trade union struggles, notably when it was chosen as the theme tune for the Lorraine radio station Cœur d'Acier, a free and committed voice of the working class. Its success went far beyond the musical sphere, and left a deep mark on our collective memory.
Even today, Le Chiffon Rouge resonates strongly, reminding us that every generation has its own struggle to wage, its own hopes to hold high. Through this musical score, it continues to inspire those who believe in a fairer future and in the power of the collective.
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Released in 1931, Captain Craddock is a Franco-German musical film directed by Hanns Schwarz and Max de Vaucorbeil. It's a lively comedy of romance and maritime adventure, with a memorable soundtrack composed by Werner R. Heymann.
Among the songs in the film, Les Gars de la Marine is undoubtedly the most famous. Written by Jean Boyer, it is performed by Jean Murat and the Comedian Harmonists. The song celebrates the lives of sailors, with lively lyrics and a catchy rhythm that evokes the spirit of camaraderie and adventure on the high seas.
Synopsis
Captain Craddock, commander of a cruiser whose crew hasn't been paid for months, decides to call his country's consul in Monaco to account. He discovers that one of his passengers, Princess Yola, is in fact the sovereign of Pontenero. An inveterate gambler, he squandered a sum of money at the Monte Carlo casino and threatened to bomb the Principality if his losses were not reimbursed. Finally, the princess convinces him to leave with her for new horizons.
Cast
- Jean Murat: Captain Craddock
- Käthe von Nagy: Princess Yola de Pontenero
- Charles Redgie: Pierre, the first officer
- Alice Tissot: Isabelle
- Nicolas Redelsperger: Minister of Finance
Other songs from the film
In addition to Les Gars de la Marine, the film includes several other musical numbers that contribute to its festive, maritime atmosphere:
- Quand la brise vagabonde
- Ponténero
This film is a fine example of musical cinema from the 1930s, and its soundtrack left its mark on the era. It is said that Hergé was inspired by the title of the song Les Gars de la Marine to create the name of the famous Captain Haddock.
Among the songs in the film, Les Gars de la Marine is undoubtedly the most famous. Written by Jean Boyer, it is performed by Jean Murat and the Comedian Harmonists. The song celebrates the lives of sailors, with lively lyrics and a catchy rhythm that evokes the spirit of camaraderie and adventure on the high seas.
Synopsis
Captain Craddock, commander of a cruiser whose crew hasn't been paid for months, decides to call his country's consul in Monaco to account. He discovers that one of his passengers, Princess Yola, is in fact the sovereign of Pontenero. An inveterate gambler, he squandered a sum of money at the Monte Carlo casino and threatened to bomb the Principality if his losses were not reimbursed. Finally, the princess convinces him to leave with her for new horizons.
Cast
- Jean Murat: Captain Craddock
- Käthe von Nagy: Princess Yola de Pontenero
- Charles Redgie: Pierre, the first officer
- Alice Tissot: Isabelle
- Nicolas Redelsperger: Minister of Finance
Other songs from the film
In addition to Les Gars de la Marine, the film includes several other musical numbers that contribute to its festive, maritime atmosphere:
- Quand la brise vagabonde
- Ponténero
This film is a fine example of musical cinema from the 1930s, and its soundtrack left its mark on the era. It is said that Hergé was inspired by the title of the song Les Gars de la Marine to create the name of the famous Captain Haddock.
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La Java bleue
Valse musette emblematic of French chanson
Composed by Vincent Scotto with lyrics by Géo Koger and Noël Renard, La Java bleue is an essential work in the French realist repertoire. First performed by Fréhel in 1939, it is in the musical tradition of the bals populaires, combining haunting melody and melancholy lyrics.
Although reminiscent of java, its rhythm is that of a musette waltz, offering timeless elegance and gentleness. Its poignant final verse underscores the ephemerality of promises and oaths, giving it a remarkable emotional depth.
Over the decades, this song has been revisited by numerous artists such as Patrick Bruel, Georgette Plana and Les Garçons Bouchers, testifying to its indelible musical heritage.
A work to be discovered and rediscovered, carried by the soul of the Paris of yesteryear.
Valse musette emblematic of French chanson
Composed by Vincent Scotto with lyrics by Géo Koger and Noël Renard, La Java bleue is an essential work in the French realist repertoire. First performed by Fréhel in 1939, it is in the musical tradition of the bals populaires, combining haunting melody and melancholy lyrics.
Although reminiscent of java, its rhythm is that of a musette waltz, offering timeless elegance and gentleness. Its poignant final verse underscores the ephemerality of promises and oaths, giving it a remarkable emotional depth.
Over the decades, this song has been revisited by numerous artists such as Patrick Bruel, Georgette Plana and Les Garçons Bouchers, testifying to its indelible musical heritage.
A work to be discovered and rediscovered, carried by the soul of the Paris of yesteryear.
philippec
07/05/2025
That's a lovely presentation, thank you!
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"The Typewriter", composed by Leroy Anderson in 1950, is a unique musical work that transforms a typewriter into a percussive instrument. With its sounds of keys, bell and carriage return, it illustrates the frenetic pace of office work with humor and precision. This composition gained popularity thanks to the film "Un chef de rayon explosif" (1963), in which Jerry Lewis burlesquely mimes an office worker frantically typing on a typewriter, synchronized to the music. This cult scene helped make The Typewriter an iconic work, appreciated as much for its musical ingenuity as for its comic impact on popular culture.
"The Typewriter," composed by Leroy Anderson in 1950, is a one-of-a-kind musical piece that turns a typewriter into a percussion instrument. With the rhythmic sounds of keystrokes, bell chimes, and carriage returns, it cleverly captures the fast-paced nature of office work with humor and precision. The composition gained widespread recognition thanks to the 1963 film Who's Minding the Store?, in which Jerry Lewis delivers a hilariously exaggerated pantomime of an office worker furiously typing, perfectly synchronized with the music. This legendary scene cemented The Typewriter as a cultural icon, admired both for its musical ingenuity and its comedic legacy in popular entertainment.
"The Typewriter," composed by Leroy Anderson in 1950, is a one-of-a-kind musical piece that turns a typewriter into a percussion instrument. With the rhythmic sounds of keystrokes, bell chimes, and carriage returns, it cleverly captures the fast-paced nature of office work with humor and precision. The composition gained widespread recognition thanks to the 1963 film Who's Minding the Store?, in which Jerry Lewis delivers a hilariously exaggerated pantomime of an office worker furiously typing, perfectly synchronized with the music. This legendary scene cemented The Typewriter as a cultural icon, admired both for its musical ingenuity and its comedic legacy in popular entertainment.
Difficulty
yoyodu77
19/04/2025
Don't forget Michel LEEB who imitated J LEWIS ...very good in mimics .
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also sung by Raoul de Godewarsvelde with different lyrics.
Hello everyone,
I am looking for a score with the title: EMBRUNS, waltz composed by Maurice Richard.
Thanks in advance.
Lorenzo
I am looking for a score with the title: EMBRUNS, waltz composed by Maurice Richard.
Thanks in advance.
Lorenzo
yoyodu77
02/02/2025
Are Maurice and Jérôme related?
yoyodu77
02/02/2025
Maurice is Chalon in 71 and Jérôme Cholet in 49
yoyodu77
02/02/2025
On 45 rpm LP for audio
yoyodu77
02/02/2025
There must be nothing left in the rue des archives for DAEMS editions. https://www.discogs.com/fr/label/172628-Daems-Disques?page=1 given the telephone number at the time ... and nothing in the SACEM catalog to Maurice RICHARD
