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mansonkobzz
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Hello, I am currently working on the Ferrero and Manu Maugain methods. On the latter, there are a few pages on the ricochet and the bellows shake. Could someone tell me more about it? What are these techniques? I could see some videos of it on the internet but the technique and the way of working don't seem clear to me... Also, when is it used? Are there some kinds of pieces more appropriate than others to practice it? Thanks!
dan95
06/01/2012
Good evening, by searching with Google we find a pdf file on these techniques with exercises to see.www.tonyweb.org/swingjo/noten/BellowShake.pdf Daniel
mansonkobzz
07/01/2012
I'm going to check it all out thank you!
Hello and happy new year to all! I finally found Musette in Paris, I send it on the forum!
Hello, I am currently playing with a singer and for that I "tinker" with the accompaniment. I would like to know if some accordion parts that can be heard on albums are sometimes edited. For example, I think of the accompaniment of Mon amant de Saint-Jean by Azzola on the album "Et ça tournait" or the accompaniment of Jean-Louis Roques in Germaine by Renaud. Or are there any exercises or methods specific to accompaniment?
accordeonia
04/08/2012
Hello,
This is an interesting topic, I've been wondering many times if accordionists improvise or if the accompaniment is written...
So my answer will bring up the subject I guess...
If anyone can give us any information on the accompaniment...thanks in advance,
Michelle
This is an interesting topic, I've been wondering many times if accordionists improvise or if the accompaniment is written...
So my answer will bring up the subject I guess...
If anyone can give us any information on the accompaniment...thanks in advance,
Michelle
good evening
When a title is recorded on CD or other support, everything is written beforehand... That's why there are orchestra scores .... but they are not necessarily broadcast...
It is not forbidden either that a musician, on a framework of chords makes from time to time, an improvisation...
But if he wants to preserve his rights, it is preferable that all is well recorded at the SACEM. Example: a famous chorus that of Jean-Pierre Louis Rampal with the transverse flute for Paris s'éveille of Jacques DUTRONC... All is written and deposited at the SACEM... In my opinion and that of several friends fervent in the matter: nothing is diffused or put at the service of the 'general public', but one can be mistaken!
MuZic@lementjmimi
When a title is recorded on CD or other support, everything is written beforehand... That's why there are orchestra scores .... but they are not necessarily broadcast...
It is not forbidden either that a musician, on a framework of chords makes from time to time, an improvisation...
But if he wants to preserve his rights, it is preferable that all is well recorded at the SACEM. Example: a famous chorus that of Jean-Pierre Louis Rampal with the transverse flute for Paris s'éveille of Jacques DUTRONC... All is written and deposited at the SACEM... In my opinion and that of several friends fervent in the matter: nothing is diffused or put at the service of the 'general public', but one can be mistaken!
MuZic@lementjmimi
accordeonia
05/08/2012
Thank you Jmimi for this information...
If the arrangements are registered at the SACEM, you can get a copy...for a fee of course!
If the arrangements are registered at the SACEM, you can get a copy...for a fee of course!
good evening accordeonia
the Sacem only manages the rights of the authors... it does not sell or give any document .....
On the other hand, if on its documents base, you can obtain the address of the publisher ... then everything is possible to have the score against payment or not .... it is the publisher who decides ...
So everything depends on the publisher and on you !
if you have recommendations or 'entries' ...
if you are known in the world of the Zic or the show biz ... ! etc.
It's a bit like in everyday life : but you never decide ....
MuZic@lement
jmimi
PS : the color and the writing, it's to change a bit ...
the Sacem only manages the rights of the authors... it does not sell or give any document .....
On the other hand, if on its documents base, you can obtain the address of the publisher ... then everything is possible to have the score against payment or not .... it is the publisher who decides ...
So everything depends on the publisher and on you !
if you have recommendations or 'entries' ...
if you are known in the world of the Zic or the show biz ... ! etc.
It's a bit like in everyday life : but you never decide ....
MuZic@lement
jmimi
PS : the color and the writing, it's to change a bit ...
accordeonia
09/08/2012
Good evening,
It's true that Sacem doesn't sell the scores, but the complete sheet of the score contains the contact information of the publishing house...and, from there, you can order it.
Have a nice evening,
Michelle
It's true that Sacem doesn't sell the scores, but the complete sheet of the score contains the contact information of the publishing house...and, from there, you can order it.
Have a nice evening,
Michelle
sylvie27
14/08/2012
Hello, I also accompany a singer, I have searched a lot on the net to find accompaniments, but niet. So I copy on the songs that are on youtubes (because it is more practical) I transpose for the singer etc. At the beginning I spent a lot of time, but with the training I spend less time. It all depends on the level of accordion you have, because depending on the chord you have to do arpeggios, triplets, .... or look for some counter-songs... if I can help you with some arrangements that I wrote myself, don't hesitate, it's not "Mozart" but it can give some ideas. good day sylvie
titave
19/08/2012
Hello Sylvie,
By any chance, do you have some arrangements of songs about Paris, e.g.: sous le ciel de Paris, la complainte de la butte, sous les ponts de Paris etc. ....
Thank you. Titave.
By any chance, do you have some arrangements of songs about Paris, e.g.: sous le ciel de Paris, la complainte de la butte, sous les ponts de Paris etc. ....
Thank you. Titave.
